The most outrageous moments in London Fashion Week history


With London Fashion Week fast approaching, we won’t only be paying close attention to the clothes, but also the drama which will inevitably unfold.
Any fashion week is an excuse for designers to really be experimental and performative; with the models they choose, the sets they create as well as the clothes they send down the runway.
London Fashion Week in particular is traditionally seen as younger and more daring than the events Milan and Paris which follow it. This means there’s a bit more scope for controversy on the London catwalks, which might be frowned upon on the continent.
This season (February 17-21) is set to be a big one, with Daniel Lee presenting his first collection for Burberry, and tributes to the late Vivienne Westwood expected to run throughout.
As we gear up for the autumn/winter collections, let’s have a look back at some of the most shocking and controversial moments in London Fashion Week history…


Hussein Chalayan’s most scandalous LFW show in 2000 involved models in various stages of nudity, wearing headscarves, but the one he will really be remembered for is when he turned a table into a skirt on the runway.


It’s a show which has gone down in history, showing how unexpected fashion can be. A play on minimalism, it blurred the lines between architecture and fashion, setting the tone for Chalayan’s experimental and boundary-pushing career.


Where to begin with Alexander McQueen? The designer was both the enfant terrible and darling of the fashion world, producing groundbreaking shows and outfits which aimed to shock. Just take the AW95 show which was called ‘Highland Rape’. According to McQueen, this was about the historical treatment of the Scottish by the English, which the designer wanted to focus on as he was descended from Scots. The show’s content was shocking: models ran down the catwalk in various states of disarray, with their clothes ripped and falling off them.


Or what about the show McQueen put on in September 1998, where model Shalom Harlow wore a beautiful white dress only to be spray painted by robots? It was a startling destruction of expensive clothing right in front of a live audience, and was a commentary on the rising power of technology.




When politics isn’t on the menu, Westwood’s shows hit headlines when models inevitably took a tumble in her notoriously sky-high heels.




None other than Grace Jones entered Treacy’s SS01 show on top of a black stretch limousine, wearing a gold hat and dancing for all to see. What could be more rockstar than that?


Now, high fashion Crocs have become part of the fabric of our society. But back in 2016 the fashion world was aghast when Christopher Kane bejewelled some Crocs and sent them down the runway.
Mixing the high and the low and indulging in ‘ugly’ shoes is the norm now, but it certainly was shocking when Kane first collaborated with the shoe brand.


In February 2020, one of the biggest stories to come out of fashion week was nothing to do with a designer, but was all about Extinction Rebellion.
Protestors blocked roads in the capital – particularly in the areas where shows were being held – demanding the cancellation of London Fashion Week. Demonstrators carried placards reading, “No more false fashion” and, “No fashion on a dead planet”, while others wore dresses made from chains.
Somewhat ironically, this was the last physical fashion week for a few seasons, as the pandemic forced designers to take things online.


Richard Quinn is known for his subversive designs, mixing latex with floral patterns and constantly using extreme silhouettes.
This all came to a head in his February 2022 fashion show, when he sent drag queen Violet Chachki down the runway in a skintight black latex outfit, walking another model in a gimp suit like a dog.
At this point, fashion week still felt a bit tentative post-Covid lockdowns. Not everyone was on the schedule and many designers choosing to skip it entirely or put on a digital presentation instead. Quinn’s show felt like a joyous and suitably splashy return to physical runway shows.